It’s something that the computer geeks don’t get. It’s part of why Microsoft’s efforts to promote Tablet PCs for the past ten years has completely failed. It’s not about the hardware or the feature list. It’s about the books, magazines, newspapers, and movies I can connect to and my access to my stuff stored on the cloud. In typical Apple fashion they are at least a good five to ten years ahead of the curve and this is resulting in more than a few disconnects. The geeks are thinking GBs storage, USB ports and processor speeds and old media are thinking pay-walls and DRM. And both of them are so dead wrong, it’s embarrassing.

On the media end I should be able able to click on any book and get an electronic or audio version for less than the price of going to my local Borders for a dead tree version. But the publishers have got their heads so far up their asses that they want to charge me a hard cover price or more for a version that doesn’t cost them one physical cent to produce or ship. They would rather sell 1,000 copies for $25 than 1,000,000 copies for $5. Or worse, there’s no e-version available because they can’t figure out how to make a digital version (though I remember a Harry Potter fan copying a 500 page book in less time than it took for the dead tree version to make it to his country).

Here’s the deal, we want to pay for the story, movie, song. The career of Jonathan Coulton should be proof of this. What should also be clear is that we’re not interested in paying for all of the middle managers and flunkies who don’t add one wit to the product. Yes it’s a business, and there are lots of important folks who make it happen But we’re not going to pay $25 for a book when we know that the pricing structure was built around creating a physical book that isn’t getting created. And the scarcity model, where only so many books/song/videos can be made every year, isn’t going to work in the era of almost infinite artists freely sharing their works on the Internet (remember Jonathan Coulton?).

Free Background Old newspaper by ShironekoEuro

So, getting back to the iPad, I was really hoping on the first day to subscribe to my local papers and national voices from the first day and buy any book like Michener’s The Source from the 1970s or even older tomes like The Idea of the Holy. Over the past month the only books I’ve bought were from the amazon app because the ones I wanted weren’t available on the Apple iBook app and I haven’t found a single newspaper to subscribe to that was any better than what I can get on an RSS reader. Fail. But in the last couple of days I’ve been encouraged by the iPad version of National Geographic (offered by Zinio) that not only mimics the magazine format but also offers unpublished photos and videos not available in the dead tree version.

My thing is that technology is so expensive, so, except for the geeks, it’s got to deliver something more than what can be had without the device. And that extra stuff has got to be the music, books, magazines, newspapers, media that is cheap, instantly available and brings something “more” than the analog versions. The Achilles heel is whether the media companies can wrap their heads around the game changing nature of this new model. If Apple loses the tablet war it’ll be because the public lost interest while the media companies fiddle with their business model and fail to deliver. jbb

        

By definition, this is a “first world” problem. In the news gap between CES and the Apple event next week, I’ve been thinking a lot about how I might manage my media collections between all of my computers. The buzz around the Boxee box and anticipating the need to have most of my working data in the cloud so that I can access it regardless of what computer or platform I’m using has inspired me to find a better way to work with my media. Actually this is a “problem” that I didn’t have until I moved from my one-room studio to my one-bedroom apartment and then two-bedroom townhouse. I have four macs floating around the house (and anticipate a fifth Apple in the form of an iPad-netbook-media-thingy), each with their own full copies of my iTunes library, DVDs ripped to a couple macs, and daily podcasts downloaded to all four computers. In the past I manually erased podcasts I’d already listened to on one of the four computer and my iPhone, but given how many podcasts I listen to this method is just too much work. I’d also been hoping to store my DVDs on one computer and be able to view them on any of the other devices. The upcoming release of the Boxee box has me rethinking my media sharing scheme.

Boxee Beta from boxee on Vimeo.

One of the things that I’ve learned so far is that even though I’m using fast wireless “N” and or a fast “power” Ethernet connection between the first and second floors, ripped DVDs stored on hard drives in their original Mpeg2 format won’t play across the network without lots of buffering or dropped frames. Unacceptable. I was anticipating using my PS3 as the movie/media player downstairs (still working on that), so I had previous converted some movies to mp4 and those videos seemed to play nicely across the network. So, even though I’m a firm believer in having access to all of the “extra features” that I look for with my DVDs (and how convenient they are to access using the DVD menu system), I’ll need to rip and convert my media to a more network friendly format, like mp4 (which makes each extra feature into it’s own separate video file). Grrr.

image by Joe Bustillos

I have a huge DVD and music collection and get most of my more daily news and entertainment via video and audio podcasts, so I need some kind of box attached to my TVs so that I can get my Internet/network media. I was hoping to use my PS3 as the player in my living room, but it has a crappy web-browser and doesn’t do RSS, so it can’t natively do podcasts. More work needed here. At the moment my mac mini is doing living room media duties. I love the Front Row interface, but it seems a bit confused that my episodes of StarTrek (classic and Next Gen) are not movies and won’t let me organize things. So maybe the updated Boxee interface will do the job.

I’ve played with Boxee previously, but couldn’t break away from my iTunes addiction. With the software upgrade and set-top box, I’m thinking that this might be the solution to my Internet TV/podcast thing, either the software or the set-top box. Depending on my success using the PS3 as a media player, I still might need another set-top box for the bedroom TV. I’m also thinking that I need to plug into the NetFlix thing (streaming and disc) so that I don’t find myself buying every movie I want to see. So whatever box I get needs to do Netflix, access my music and DVDs across the network and either grab podcasts off the net or the ones stored on my other computers. Having invested in the PS3, I’m aware of the problems of getting a box that isn’t as expandable to handle all of the twists and turns that tends to happen in the media market.

Sources:
* Boxee Demo. http://www.boxee.tv/box retrieved on 1/23/2010
* FrontRow image by Joe Bustillos
* Tekzilla » Episode 124: “Should I buy a Boxee Box or a Roku or Stick With My xbox?” http://revision3.com/tekzilla/veronicapc/should-i-buy-a-boxee-box-or-a-roku-or-stick-with-my-xbox-360- retrieved on 1/23/2010
* Tekzilla » Episode 121: Boxee Box. http://revision3.com/tekzilla/2010newyear/boxee-box retrieved on 1/23/2010

        

I’ve been watching Leo since the early ZD-TV days. It feels like it was early Internet, but it really wasn’t. Here was a guy and a show that was part of this tech world that I was a part of, that no one else understood. So for their last podcast for 2009, TWiT 228, they got a bit nostalgic (and funny). Good times. This was not the case several weeks ago when Leo and John C. Dvorak made fun of the NASA Tweet-up and totally forgot about what Twitter really means. Basically they took the low road and made jokes about what the hell are you going to say in 140 characters except, “I just peed in my diaper.” Twitter isn’t about the 140 characters or what one has for lunch. It’s about the community and connections that happen over time. So, sometime Leo gets it, and other times he goes for the cheap shot. Surprise, he’s human.

It is a bit strange to feel a connection with an Internet personality (who was a Cable-TV personality from a small network before that) and then discover that there’s a whole community of weirdos like me who work in tech. Following is a short documentary featuring Leo talking about the moment we’re at right now where it’s possible for a small media company can compete with giant corporations and get their message out without all the filters imposed in the past. It’s about the individual and the community and the message. It’s not about 140-characters.

Bonus video: Here’s a video circa 1996 during which Leo Laporte predicts the future. Given next week’s Apple announcement, Leo’s talk about the power of the Newton in 1996 might be all the more interesting:

Sources:
* YouTube video: TWiT 228: The TWiT Of The Decade posted by TWiT. http://www.youtube.com/watch?v=gaq_FoA8jmo retrieved on 1/19/2010
* The Spark Series, Part 3: OPEN by Michael Sean Wright and Marc Ostrick. http://www.eguiders.com/exclusive/the-spark-series-part-3-open retrieved on 1/19/2010
* Of Mouse and Man. http://www.youtube.com/watch?v=QzIV8BxlaQs retrieved on 1/19/2010

        

I have no business reviewing music. I gave up on keeping up with what’s hip in music when studio tricks took over for musical talent. Yeah, I’m an old fart. That said, a top 5 list written by Nathan Chase caught my attention because Chase’s #1 recording was a collection that you can’t get at Amazon or Wallmart or iTunes: Kutiman’s “ThruYOU” project.

I previously posted a blog entry about the ThruYou project after a friend sent me a link to the project on the same day that the Buzz Out Loud podcast crew commented on Jonathan Coulton’s blog post about the project. Like Coulton, my first impulse is to go on and on about the tour de force that this project represents and how it reveals how ridiculously broke copyright is. One track from the project, Wait For Me, has almost 140,000 views. After listening to the project I bought his commercially available CD, Escape Route, from Amazon (in DRM-free downloadable MP3 form). That’s one sale of a record that wouldn’t have happened had this artist posted his creation for free on YouTube. As Larry Lessig said in his TED presentation, this is not about taking someone else’s work and passing it off as ones own (piracy), but taking what has gone before and making something completely new: remix culture.

An excellent website has been created listing the Thru-YOU videos and all of the contributing videos: http://thru-you.org

Sources:

* My Top 5 Albums of 2009 – Tortoise, Muse, P.O.S., Mute Math, & Kutiman by Nathan Chase, http://nathanchase.com/2009/12/my-top-5-albums-of-2009-tortoise-muse-p-o-s-mute-math-kutiman/ retrieved 12/31/2009.

* YouTube video: Kutiman-Thru-you – 06 – Wait For Me by Kutiman, http://www.youtube.com/watch?v=i88CKr6Shn4 retrieved 12/31/2009.

* TED Talks: Larry Lessig on laws that choke creativity by Larry Lessig, http://www.ted.com/talks/lang/eng/larry_lessig_says_the_law_is_strangling_creativity.html retrieved on 12/31/2009